See Justice Done: The Problem of Law in the African American Literary Tradition

Christopher Michael Brown
The University Press of Mississippi

Author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the 18th century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing.

Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence.

Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

Read more at The University Press of Mississippi

Previous
Previous

Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-Century America

Next
Next

Injustice in Focus: The Civil Rights Photography of Cecil Williams